Monday, November 22, 2010

WORDS FROM A BROKEN MAN

MY GIFT

 




Johnny Cash taking ten
acrylic paint on canvas by Robert Margetts


In lands long ago, I, with fortune in my grasp, chose to look away. To the thirsty, I poured my water onto the ground— a small god wasting rain upon the dust. To the hungry, I nibbled until excess dulled my tongue. To the sorrowful, I scattered my joy only among those who already laughed.

To the hemophiliacs who begged for a transfusion, I would not spare a single drop— my blood a sacred relic I guarded like a miser’s coin, though it could have lengthened the breath of a child still learning the shape of hope. To the cancer victim who would never taste the sweetness of turning twenty, nor walk the aisle with trembling hands, I withheld the marrow of my bones— the very root of life I refused to share.

To my only brother, tethered to a dialysis machine, fading like a candle in stale air before forty, I dared not offer one kidney— two stones in my body, yet I clutched them as if they were crowns.

And to my wife, who believed in me through years of storms, fought my battles, defended my name, and finally fell in love with another man, I could not give her the one gift she sought— the simplest, purest offering of all: her freedom from me, the key I kept hidden in my own pocket.



words from a broken man by Robert Margetts



WHAT DOES IT MEAN?


This poem is powerful, confessional, and unflinchingly honest. It reads like a reckoning — a (speaker/me) looking back on a life defined not by cruelty, but by withholding, by the quiet harm done through inaction, fear, and self‑protection. What makes it so affecting is that I am not making excuses. I am telling the truth about myself.



This poem is about a me confronting the truth of my own emotional selfishness — a lifetime of choosing safety over generosity, fear over love, and possession over freedom. It’s a lament for the harm done not through violence, but through absence, silence, and the refusal to give what mattered most.


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