Wednesday, June 24, 2026

WHY DOES MOMMY HAVE CANCER?

 

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WHY DOES MOMMY HAVE CANCER?

 


www.robertmargetts.com




The little boy sat in the rocking chair

in his parents’ bedroom,

rocking because it was the only motion

left in a room otherwise stilled by grief.

Forward.

Backward.

Forward.

Backward. 

His body held rigid,

his mind drifting loose,

his small hands

wrapped around the rails

as the chair creaked in time

with the indifferent ticking of the clock.

He opened his dry mouth,

looked toward his father

a man seated at the edge of the bed,

fingers laced around his wife’s hand

as she labored for breath,

each inhale a fragile thread

thinning toward silence.

The boy pressed his lips together,

summoned the courage

children should never need,

and asked,

“Why does Mommy have cancer?”

He was only ten,

yet he understood enough

from television dramas,

from whispered conversations

on the playground,

from the way his classmates said

“The Big C”

as though naming it softly

might keep it at a distance.

His school desk

still bore her initials,

carved into the wood

a small act of permanence

in a world that had begun to feel

frighteningly temporary.

He knew cancer was bad.

He knew it meant

some people did not return.

“Dad…” he said,

“Is Mommy going to die?”

His father turned towards him,

knowing the truth

afraid to show his venerability

eyes swollen,

still clutching her cold hand

as though warmth might return

if he simply refused to let go.

He looked at his son,

voice trembling,

and whispered,

“Yes… Mommy is going to die.”

The words emerged slowly,

as though each one cut

its way through him.

She was only thirty‑eight

Far too young to leave,

too young to be stollen.

He loosened his grip

on her lifeless hand

and brushed away the tears

that would not stop falling.

He looked at her one last time

his high school sweetheart,

the girl he once kissed

behind the bleachers,

the woman

who had carried their dreams with a quiet,

steady grace.

Now she lay still,

hair tangled,

face bare,

a figure already half‑departed

from the world she once filled.

Her eyes closed.

A faint smile touched her lips

relief,

perhaps,

or the soft mercy of pain finally ending.

Her cold hand

rested on a cross,

palm open,

awaiting the nail to be driven,

as though offering itself to a presence

he could not see.

The father gathered himself,

looked at his son,

and shook his head.

Tears slid down his cheeks

like rain on a windshield,

wipers slapping back and forth

against a world gone blurred

passing the stranded cars along the highway,

passing the soaked hitchhikers

with their wet thumbs

pointing forward

in hopes of a ride.

Water the enemy,

clarity the cure

as he imagined the long road ahead,

just him and the boy,

moving through a life

suddenly missing its center.

He drove with both hands

Digging into the steering wheel

Driving past everything

And everyone.

He cleared his throat,

blew a breath through cracked lips,

and said,

“Mommy is gone.”



www.robertmargetts.com





What is the meaning of this poem?


This poem is about the exact moment a child realizes:

  • parents are not invincible

  • life is not guaranteed

  • death is real

  • love cannot stop it

It is the moment childhood ends.























































Tuesday, June 23, 2026

I GOT LOST IN TIME

 

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WWW.ROBERTMARGETTS.COM




I GOT LOST IN TIME


I got lost somewhere along

the crooked streets

and potholed trails,

wandering through winding,

empty avenues

where broken streetlights

hummed over rusted‑out cars

with shattered glass

and collapsed wheels.

some still smoldered

small red whispers of life

lifting into the air

and bruising the clouds.

Relics of a civilization

that once breathed purpose

waited for a new chance,

waited for a new day

but centuries of dust

fell over their bones

and softened their shame.

I drifted down Highway 66

and took the wrong turn,

as sages do, 

as dreamers do.

I got lost somewhere along the way,

caught between hope 

and inevitability,

between reason’s edge

and imagination’s pull.

I couldn’t cross

the trembling line,

too afraid to pluck the note

like a guitarist hesitant

to end his song,

fearful the frequency

might crack the tempo

and scatter the harmony.

Fear held me still,

locking my hands

from choosing right 

or choosing wrong

both paths calling,

both refusing me.

Life split into a thousand roads,

and my mind

tangled in a fisherman’s net

with no clear seam to cut free.

 

I could head north,

but the cold waited there

barren lands,

lifeless growth,

frozen lakes,

memories iced over

and unwilling to thaw.

What I had seen,

what I had sealed

in the glacial alcoves

of my mind remained untouched.

 

I could head south,

into the sweltering oasis

of burned‑out loves,

fired‑up pastures,

scorched trees.

No flowers dared bloom,

no buds dared rise.

Sweat and fear slid from my skin

as vapor rose 

from the blistered soil,

hissing reminders

of every chance 

I squandered,

every foolish gamble

that left me in ashes.

The house always wins against the gambler.

The house always wins on a reckless bet.

 

I could head east,

down salted roads of depression,

malted liquor,

cocaine‑bright nights,

opium dens with velvet backrooms

whispering for one more high.

To chase my dragons,

to stay forever young

in a soft, drifting haze.

Hearing but not listening,

feeling but not understanding

the shadows that lengthened

as the years slipped quietly

into sin and the belief

that I did not belong in the daylight world.

Somewhere along that winding path

I misplaced my soul,

so east became forbidden ground.

 

I could head west,

like the early miners

chasing gold and promise,

mesmerized by the shining stone

that toppled Mayan cities

and crushed the Inca world

beneath conquistador greed.

 

Yet west felt open

a direction untouched,

roads wide and breathing

for a lonely wanderer

who had tried the other three

and failed to choose wisely.

Too afraid of the unknown,

too afraid to take chances,

too afraid to stop

and ask for directions

in a world of endless winding roads.

Yes sir,

I got lost somewhere

along the way in life

but who hasn’t.



WWW.ROBERTMARGETTS.COM



WHAT IS THE MEANING OF THIS POEM:


The core meaning of this poem is that a person is looking back on their life and realizing they became lost—not in a single moment, but across many crossroads, temptations, fears, and emotional climates. It’s a meditation on direction, identity, regret, and the paralysis of choice.



Each direction is a psychological state, not a place.

  • North — emotional coldness, numbness, memories frozen in place

  • South — heat, passion, impulsive mistakes, the scorch of regret

  • East — addiction, self‑destruction, the seductive pull of escape

  • West — possibility, reinvention, the unknown future






































































THE THEORY OF COMMUNISM

 









WWW.ROBERTMARGETTS.COM



THE THEORY OF COMMUNISM?

 

The theory of communism

may have first whispered to him

long before he knew its name

back when he was just a young lad

wandering through cool summer fields,

the red‑clay roads curling gently

over green hills like ribbons

laid down by a kinder world.

Potato farms quilted the meadows,

sheep drifted like pale clouds across the grass,

and wild blueberries hid in patches

only children ever seemed to find.

Lavender breathed its soft perfume

into the warm air

a beauty so delicate

it felt like something

borrowed from God’s own hand,

something only a woman could fully understand.

The rivers were always calling then.

Trout flashed beneath the surface,

daring every Huck Finn dreamer

to skip school, thread a worm on a hook,

and cast a bamboo line

into glacial lakes that held the sky

as if afraid to let it go.

Those were the days

untouched by the noise of the world

days before the shadow

of nuclear fire hung over our lives,

before hatred learned to speak loudly,

before ambivalent politicians and

delusional governments

proved how easily they could disappoint.

It was a time when life felt simple,

honest, and endlessly possible

a time when ideas could bloom

quietly in the open air,

rooting themselves in the soft soil

of a boy’s heart

long before he understood

what they would one day mean.




WWW.ROBERTMARGETTS.COM





































































Wednesday, June 3, 2026

THE TIME TO DIE

 


A NIGHT IN THE WIND by Robert Margetts




THE TIME TO DIE

 

The blade on the glass face

freezes at 11:59

a malignant omen,

a pernicious reminder

of doom in the air

a whisper of skies

choked with molten ash,

lava‑dark clouds

swallowing daylight whole.

Doves ignite mid‑flight,

their wings curling into blackened husks

that fall like cursed snow.

Oceans boil to a murderous shimmer,

150 degrees of rising death

on smoldering ash dunes

no scavenger dares to cross.

Lakes shrink to skeletons,

their beds choked with tires,

plastic water bottles,

the detritus of a species

that forgot to listen.

No trout. No minnows.

Only the echo of what once lived.

Yet the bombs are loaded

And ready to prime

The old men

those architects of ruin

huddle in a steel‑cold hangar,

their trembling fingers

grazing the button

as fear slicks their palms

with the stench of rotting sweat.

How do they face their own reflections,

those nefarious shadows staring back,

knowing the future demands a sacrifice

they are too cowardly to name.

To survive,

he must read the hidden lines,

step across the event horizon

a pull so absolute

not even a god could resist.

The hangar air curdles with dread.

The second hand refuses to move.

The circle closes.

The hourglass waits to be overturned.

One press,

and the human story ends in a single,

shuddering breath.




ROBERT MARGETTS




WHAT IS THE MEANING OF THIS POEM?

this poem is an apocalyptic meditation on human self‑destruction, told through imagery that blends environmental collapse, political terror, and cosmic inevitability. Its meaning unfolds across several layers