CONTEMPLATION

 

ROBERT MARGETTS

CONTEMPLATION

A quill without ink

cannot whisper like Shakespeare,

just as a Waterford goblet

shattered on cold Byzantine tile

can never cradle roses again.

A Gibson missing strings

tells no story to a waiting room,

and a Steinway stripped of its keys

cannot summon a single waltz.

A Stradivarius with a broken bow

is a candle without a flame,

and a soul without a heart

beats for no one

not even you.

You didn’t just break my heart.

You ground it down,

the way the Waterford flute

splintered into a million shards

of expensive, useless glass.

The thorns on the rose stem

cut my fingers to the bone,

slicing through me

like the butcher’s blade

at the corner market.

More blood has been spilled

from a thorn than from a sword,

and more wounds

carved into the hands

of the boy you once swore to love.

You hurt my soul

so deeply that even my quill dried up,

even my Baby Taylor forgot how to sing.

You stole the last of me

and left the rest in ruins.

You touched my bloodied hand,

kissed my trembling mouth,

looked into my eyes

as if you still knew me,

and brushed your fingers

through my tangled gray hair

like it meant something.

You touched my lips a thousand times,

parted them gently,

fed me wine as if mercy

could be poured from a bottle.

We shared one final drink,

a few thin moments

nothing strong enough

to drown the ache you left behind.

The Stradivarius fell silent,

and the candle shivered

through its last breath of light.

Goodbye, my lover.

The Rubicon waits,

and I must cross it alone.

No music.

No light.

No ink left to write your name again.

PROZAC FOR HUMANITY

 

ROBERT MARGETTS

PROZAC FOR HUMANITY

 I’m an old tired man now,

Counting decades on my right hand

the way a gambler fans his cards

at a blackjack table in Las Vegas.

And I’ve had time to think

too much time,

maybe or perhaps not,

about the way the world

might’ve turned if Prozac

had been around a hundred years ago.

Back then,

psychiatry was a whisper behind a door,

not something a man could admit he needed.

And I sometimes wonder

how different the maps,

the speeches,

the wars,

the tyrants might have been

if a few pills had softened

the edges of the wrong men.

Stalin, Hitler, Sadam Hussein, Bashar al-Assad

Just to mention a few.

Now, don’t mistake me

I never claimed to be a psychologist.

Hell, I barely claim to understand myself.

But I’ve lived long enough to know this:

some people can be helped,

and a small,

stubborn few never will be.

Folks protest that idea,

call it barbaric,

but I ask them plainly

were the monsters of history insane,

or just men who chose cruelty

with both hands open?

How do you measure madness

in a single man,

or in the mob that marches behind him?

How do you medicate a destiny

carved from arrogance,

ignorance, or the slow rot of power?

I’ve seen enough to know this much,

all the pills in the world

wouldn’t have changed

the course of those men.

Some are born twisted.

Others learn it step by step,

choice by choice,

until evil becomes as natural as breathing.

And here I sit,

an old Texan man on a quiet porch,

watching the sun go down,

thinking about the world we inherited

and the one we might’ve had

if human nature were easier to fix.

 

 

 

ROBERT MARGETTS

WHAT DOES THIS POEM MEAN?

It’s a poem about a man who has lived long enough to stop believing in easy answers.

DAVEY JONES SECRET LOCKER

 

ROBERT MARGETTS

DAVEY JONES SECRET LOCKER

 

My parents were resting on the sofa,

half‑asleep but still doing that thing

where one eyelid stays cracked open

like a suspicious lizard.

They don’t trust me

and honestly, fair enough.

I have a long,

decorated history of borrowing things

kleptomania they call it.

I prefer a more simple explanation,

A relocation of wealth!

But tonight,

the call of adventure was strong.

It was time to loot the bedroom

the legendary Davy Jones’ Locker

a place rumored to contain gold coins,

ancient relics,

and possibly a cursed sock or two.

To normal people,

it’s just a bedroom.

But to a nine‑year‑old boy

with the blood of a pirate

and the attention span of a caffeinated rat,

it’s a treasure trove of unimaginable loot.

Armed with my trusty weapon

a plastic club hidden away

under some soap and shampoo bottles

 in mommy’s private bathroom.

I marched forward.

In my mind,

it was a mighty cutlass,

forged in dragon fire

occasionally buzzing and pulsating

with mysterious magical energy

grinding and vibrating

like a emaciated snake

with a full chicken

Stuck in his throat.

I crept deeper into the room,

into the forbidden zone,

the place parents go to whisper,

nap,

and hide snacks from their children.

Was I scared?

Absolutely.

But pirates don’t back down

from danger, dust bunnies,

or questionable smells.

I started on Dad’s side of the bed,

lifting the mattress like a seasoned raider.

And behold

Dirty magazines

BINGO.

Treasure!

Tons of booty.

Yup, Daddy had it all.

I also found

Loose change, old receipts,

a pocketknife,

a watch that gave up in 1972,

and a mysterious key

that probably opens a portal

to the land of forgotten chores.

But then

disaster.

The parents stirred.

Time to skedaddle.

I grabbed as much loot

as my pudgy pirate hands

could carry and fled the scene of the crime.

Yes,

I raided Davy Jones’ Locker.

And yes,

I escaped with my booty.

A pirate’s work is never done.

Time to get busy

Investigating all my new magazines.

 

ROBERT MARGETTS

WHAT IS THE MEANING OF THIS POEM:

At its core, this poem is about childhood curiosity colliding with the hidden adult world — and the way a kid mythologizes everything into adventure, danger, and treasure.

SPANKINGS

 

SPANKINGS

When I was ten,

my father spanked me.

Hard. Real hard!

Hard enough that the room blurred

and the air felt thin.

I remember the anger in his face

how it arrived before he did,

how it filled the doorway

like weather I couldn’t escape.

Back then,

I tried to make sense of it.

I searched for reasons

the way children do.

Maybe I forgot my bed.

Maybe the trash.

Maybe the dishes weren’t stacked

the way he liked them,

or the milk cap wasn’t tight enough

to keep the world from spilling.

But now,

looking back,

I know it was never about chores.

It was the layoff he didn’t mention.

The ticket he couldn’t afford.

The coffee pot left empty

when he needed something warm

to hold him together.

It was everything he carried

and nowhere safe to put it.

So, he put it on me.

Because I was small.

Because I was there.

Because I didn’t know how

to run or fight or question.

He told me it hurt him more,

that this was love,

that this was how fathers teach.

I believed him.

Children believe anything

that makes the world feel less dangerous.

But the truth came later

slow, heavy,

undeniable

when I realized he “loved” my mother

even more than he loved me.

The sound of his hand slapping

against her bloodied cheek echoed

through the walls

long after the house went still.

And now,

as a grown man,

I can finally say it:

none of it was love.

It was a storm that chose

the smallest bodies

to break itself against.

ROBERT MARGETTS





WHAT IS THE MEANING OF THIS POEM:


This poem is about a child misinterpreting violence as love, and an adult finally understanding that the violence was never about him — it was about a broken man who used the smallest bodies in the house to absorb his storms.

TURN THE ROCK OVER

 

www.robertmargetts.com

TURN THE ROCK OVER

A window left unbroken

spills no shards.

An unlocked door,

its hinges untouched,

keeps its silence

about who passed through.

A cloud that never rises

will never loose its rain.

And a widower will never know the truth

until he turns the rock over

and feels the cold shape

pressed into the earth beneath it.

 

Turn the rock over

if you dare

to uncover the life she hid,

the shadows curled beneath her name.

For a ghost

casts nothing behind her,

yet you will sense her lingering,

her salted eyelids

fused by winter’s long weeping,

her tears pelting

the still river

and blooming red beneath the surface.

And in her palm,

in that frost‑stiff hand,

lie the broken shards of fear,

deceit, and promises undone

the fragments

Only a ghost is condemned to keep.

 

But turn that rock over

if you must.

Just know

the truth will not warm you.

It will rise like a shadow

from what you once held,

and follow you home.

artwork by Robert Margetts

what is the meaning of this poem?

The poem is about the dangerous act of uncovering the truth about someone you loved after they’re gone. The “rock” is the past — heavy, hidden, and cold. Turning it over means confronting what was buried: secrets, betrayals, and the parts of her life that were never shared.

The widower wants answers, but the poem warns that truth is not always healing. Sometimes it haunts.

Some truths don’t set you free. (We all know that to be true). LOL Sometimes they ruin the memory you were trying to protect.

Turning the rock over may reveal what happened, but it may also destroy the love he thought he had.

The truth is “a shadow of what you once held” — meaning the truth is not the relationship itself, but the dark outline of what was missing.

MY BEST FRIEND DRACULA

 

Dracula and Frankenstein

MY BEST FRIEND DRACULA

 

How do you say it.

A friend dies before his time.

Way too early.

Cancer!

And the world doesn’t pause.

You weren’t “just a dog.”

You were the only thing that stayed.

The only thing that didn’t lie.

You slept in the cold bed

because no one else would.

Your head on my chest,

listening to a heart

that didn’t deserve your loyalty.

At night you listened

cars, footsteps, deliveries

and you barked,

every night,

for eight straight years.

And now the silence is deafening.

You warned the world away.

You made strangers afraid.

Your name did the rest.

But it was only a name.

It never matched the truth.

Goodbye Dracula,

You were a giant,

but gentle in a way people rarely are.

A Great Pyrenees

with a smile too big

for the body that failed you.

You loved everything

dogs, cats, anyone breathing.

Not out of duty.

Not out of instinct.

Just because that was your wiring.

Simple. Pure. Uncomplicated.

Goodbye my friend.

If there’s a heaven,

you’re probably up there barking at God,

keeping Him awake

the way you kept me awake.

And He won’t tell you to stop.

checkmate with Alzheimer's

 

robert margetts

CHECKMATE WITH ALZHEIMER’S

 

 

Another piece gone.

Another memory shoved into the cold abyss.

Left, right, forward

What does it matter.

The rook slams a check

onto the bone‑white board.

The Queen watches,

hands shaking,

tears soaking her dress.

Her mind flickers out.

Her husband drifts into the fog.

Everyone she loves dissolves.

She calls to the knight.

He sits high, useless,

counting pawns

as if numbers could save her.

Her memories rot,

shift, vanish

like pieces scraped across a cold board.

The King stands naked.

Bishops gone.

Lines broken.

What would Bobby Fischer do?

Bishop to E6?

It doesn’t matter.

Every move is dead.

Checkmate is inevitable.

Dementia doesn’t lose.

The Queen can’t guard him anymore.

Her mind is a pit,

a frozen snare of fear.

She fights the board,

bleeding dignity,

but Alzheimer’s cheats.

It always has

and always will.

The King stares at her,

trying to remember her face,

her name, anything.

His hands jerk.

His legs fold.

He steps left,

forgets why,

steps back,

tries to hide in plain sight.

The rooks and the Queen

scramble to shield him,

but the silence swallows everything.

Memories fall.

Pieces fall.

Chess is cruel.

Alzheimer’s is worse.

Step away from the future

if the past is already gone.

robert margetts

what is the meaning of this poem?

Alzheimer’s destroys not just memory, but love, identity, and the shared life between two people — and no amount of strategy can stop the checkmate.

The meaning of my poem is the collapse of identity, love, and partnership under the slow, merciless advance of Alzheimer’s; told through the metaphor of a chess match that cannot be won. It’s about two people who once knew each other intimately, now trapped on a board where every move is predetermined by the disease, not by strategy or will.

GOODBYE MY FRIEND

 

robert margetts
www.robertmargetts.com

GOODBYE MY FRIEND

Goodbye, my wife.
Goodbye, my truest friend.
We vowed a life
I didn’t know how soon it’d end.

You lied as if it came easy,
hid until I stood alone,
while you gathered reasons
one by one
to chase something better,
to answer strangers
who called you Little Bear.

You began this.
You reached first.
And you
unmade a man
who only thought himself whole.

Goodbye, my heart
it was never built to last.
Goodbye, romance,
goodbye to second chances.

You handed me off
through a lawyer’s hand,
knowing it would end us,
yet wore it lightly
as if the fault were mine.

I gave you my soul.
I gave you my years.
I stood between you and the world,
and I gave you a son.

Goodbye, my friend.
Goodbye, my love.
I hope you find
what you were searching for.

robert margetts

THE BLACK BOX

 

THE BLACK BOX

THE BLACK BOX

She sits in a noisy room,

Holding tight to her black box,

Fingers rapidly scrolling,

Her mind hungry for connection.

She searches for the right page,

Reaching out to strangers

As if they hold the key

To something she has lost.

 

I ask her a question,

But through a fog she drifts,

Ignoring my voice

For more important people and places

Waiting behind a glowing screen.

She texts her friends,

Responds to strange men,

Smiling and imagining

fingers touching her lips

While twiddling her long red hair

Worlds I cannot see

And emotions I cannot feel.

 

Her fingers dance quickly,

Writing hidden messages

To men she just met—

Little innuendos,

Savory thoughts

Wrapped in digital whispers.

I ask her to stop,

To put down the device,

To pay attention to us,

To listen to me.

But she doesn’t hear.

She just keeps staring,

Frantically responding

To messages from strangers,

To messages from boyfriends,

To messages that pull her

Further and further away.

 

And I sit beside her,

Watching the glow on her face

Replace the warmth of her eyes.

The room grows louder,

Yet somehow emptier,

As if the space between us

Has learned to echo.

 

I remember when her laughter

Filled the air like sunlight,

When her hands reached for mine

Instead of the cold rectangle

She now clings to like a lifeline.

I remember when conversation

Wasn’t a competition

Against a world of notifications.

Now I watch her drift—

A tide pulled by distant moons,

A mind wandering through

Other people’s stories,

Other people’s attention,

Other people’s desire.

And I wonder

How love survives

When the smallest screen

Can build the tallest glass wall.

WWW.ROBERTMARGETTS.COM

what is the meaning of this poem?

This poem is about the heartbreak of watching someone you love emotionally leave you for the digital world, building a silent, invisible wall between you that you can’t break through.

technology didn’t just distract her — it separated you.

robert margetts

A BROKEN BOY

 

A BROKEN BOY by Robert Margetts

A BROKEN BOY

When she looks straight through you,

Her longing drifting toward another stranger.

When she keeps texting others

Deep into the thinning hours of night,

Inviting him to early lunches,

Finding reasons to wander out to his farm.

When the warmth you offer

Is met with reluctant acceptance,

And your words fall unheard.

When tears gather

In the hollows of her eyes

As she lies turned away,

Falling silently into the cold dark

For the comfort of another man.

 

And hands that once Promised partnership

before a waiting crowd

Shatter the ring of time

And cast its circle

Onto deceit’s tarnished floor.

When lips that once pleaded

For hungry connection

Now spit the remnants of betrayal,

And the future you imagined

Is shadowed at its source.

 

There is no blow

A human hand could deliver

To match the ache now swelling

Between a man and his wife—

A pain blistering as open flame,

Stripping moisture from fragile skin;

A chill so deep it freezes the heart

And crystallizes the blood

Into shards that drift through the soul.

A pain as vast as the widening universe,

Seen through the Webb Telescope—

A hurt expanding,

stretching, drifting apart,

Leaving behind a numbness so heavy

It feels carved into the bones of existence.

And only a silver bullet in the head

Could numb my pain.

what is the meaning of this poem?

this poem symbolizes the collapse of a marriage as the collapse of an entire universe, where love, identity, and meaning drift apart like galaxies losing their shared gravity.

IS GOD REAL?

 

JOHN 3:16

IS GOOD REAL?

 

“Is God real?”

the little boy asked—

a whisper trembling in a world too loud.

“Does He love me?

Does He watch over me?

Will He protect me?

Does He walk with me?

Will He take me to heaven?”

 

His father knelt,

eyes soft,

voice steady as a prayer.

“God is real.

And He is always with you.

He holds your hand,

walks beside you,

feels your pain.

He wants the best for you.

He knows your thoughts,

your future, your heart.

He believes in you.

And most of all—

He loves you.

He loves everyone.”

Silence.

A long, heavy silence.

 

The boy stared at the floor,

but his mind wandered into darker rooms.

“But…

how could He do all those bad things?

He gives cancer to children.

He lets war rage on.

He floods cities.

He burns down towns.

He lets the homeless sleep on the streets.

He lets people go hungry.

He brings plagues.

He lets priests hurt kids.

And He lets you…

hit Mommy.”

 

The father froze—

a breath caught between guilt and grief.

“That’s not God,” he said quietly.

“That’s man.

Man kills.

Man destroys.

Man hates.

Man chooses.

Man loves.

Man fails.

And man hits your mommy—

not God.”

 

The boy shook his head,

eyes wet,

voice cracking like thin ice.

“Then why does God

let man do all those bad things?”

 

The father swallowed hard,

searching for words that didn’t exist,

but trying anyway.

“Because God cannot control man.

He cannot force goodness

into a closed heart,

nor can He force evil

into an open one.

God stands beside you—

not above you pulling strings.

He hopes you choose good.

He hopes you live a life

that teaches you to be kind,

to care,

to help,

to feel the pain of others,

to rise above the darkness that men create.

He hopes…

you grow into a man

better than the ones who came before you.”

 

MEANING OF THIS POEM?

It's just a conversation between a father and a son; it’s a confrontation between innocence and the brutal contradictions of the world. And beneath that, it’s a portrait of a child trying to understand why the person who is supposed to protect him is also the source of his deepest fear.

The poem is about a child trying to reconcile the idea of a loving God with the violence and suffering he sees — especially in his own home. It’s a confrontation between innocence and reality, faith and trauma, comfort and truth.

It’s also a quiet plea from a father who knows he has failed, hoping his son will break the cycle he himself couldn’t escape.

This is not just a poem about God. It’s a poem about responsibility, generational pain, and the fragile hope that a child might grow into something better than the world he was born into.